Exhibition

Memories of a dune

Memories of a dune

Paco Dalmau

Art Island

22-24 may

Solo Contour Gallery

29 may
– 17 july

Since 2020, Dalmau has been working on Evolution: layered wall objects that emerge from an intensive process of overpainting, sanding and rebuilding. Earlier paintings do not disappear — they remain hidden beneath new layers of paint and matter.

Paco Dalmau – Evolution

Paco Dalmau’s Evolution series draws on the ancient concept of the palimpsest — a surface written over repeatedly, where traces of the past remain visible beneath. Working on existing paintings, he builds up ten to twenty layers of paint, partially scraping each one back before adding the next. The result is richly sculptural, almost archaeological: objects as much as paintings. Within their square format, the viewer’s eye is free to wander into a parallel universe that exists solely within the paint itself. Like the layered identities we carry as human beings, these works hold memory, transformation, and depth all at once.

 

Paco Dalmau – Memories of a dune

Memories of a dune

In the most recent works, subtle impressions of sunlight, sea and dune landscapes resonate — not as literal representation, but as an atmospheric quality in colour and composition. Dalmau investigates identity as something in constant motion: built from experiences, emotions and layered memories. The dense accumulation of material, pigment and resin gives the works an almost architectural density, while at the same time a inner, atmospheric space remains palpable. The square compositions resist a fixed reading direction and open up a free mental space in which each viewer can develop their own interpretation.

Photo Londen – 2026

Photo Londen

The Threshold of Perception
a group show

Emile Gostelie
Tjitske Oosterholt
Steffi Reimers
Margriet Smulders &

Studio Sodalime

———————————————–


13.05.2026
till 17.05.2026

 

Opening on May 13 _ from 11.00 – 21.00
in presence of the artists :


Tjitske Oosterholt
Steffi Reimers and
Margriet Smulders

Four photographers who move between documentary and the conceptual, between evidence and imagination.

LOCATION

—Discovery
Booth J09

OPENING

— Wednesday 13th may
by invitation only

LOCATION

National Hall, Olympia
Hammersmith Road
London W14 8UX

FAIR  HOURS

Wed 13 May · 11:00–21:00
(VIP Preview)
Thu 14 May · 11:00–20:00
Fri 15 May · 11:00–20:00
Sat 16 May · 11:00–20:00
Sun 17 May · 11:00–18:00

The Way of Water

Le Nghi Teng

Kyra Ten Brink

In a world dominated by technology and the drive for progress, this duo presentation brings together the work of Le Nghi Teng and guest artist Kyra ten Brink. These women explore the connection with the self and the path that leads to it. Both their practices invite us to slow down, become still, and renew our attention to the inner landscape.

Opening Friday March 13th between 6 – 9 pm
Spoken Word performance at 7.30 pm

Le Nghi Teng’s work is rooted in Taoist philosophy and unfolds according to The Way of Water. The Tao serves as a guide: a path that is not mapped out, but reveals itself in moving with what presents itself.

Teng found in photography a visual language that has its origins in classical Chinese art and the principle of wu wei—acting without forcing.

Soft and formless, yet unstoppable in its movement, water adapts without losing its essence. That same quality can be found in Teng’s art: an organic process, from the first glance to the moment when ink and water merge on handmade paper.

 

on view : 14 March – 26 April
Saturday April 11th Artist Talk

 

The women in ten Brinks journey are at the center of the project Journeying Home and often exist in states of tension: between vulnerability and strength, between what is shown publicly and what remains private, and between social expectations and their own inner truths.

Here, the body is seen both as a space of negotiation and as a living archive — one shaped by power structures, yet continually capable of resistance, adaptation, and self-definition.

The Waves – Nesli Gul

We’re delighted to invite you to our exhibition The Waves, part of the Young Curator Program, curated by Nesli Gül .

 

 

 

 

 

 

Workshop on Hospitality by Ronal Bal: What Makes You Feel Welcome? (WMYFW)
Date: 14 February 2026

Duration: 15:00–17:00
Location: Contour Gallery, Rotterdam
14:00–14:30 Curator-led tour of The Waves
15:00–17:00 Workshop on Hospitality by Ronal Bal

 

 

 

Press article

Read here the review in   artdog Istanbul

Contour Gallery, Rotterdam, presents The Waves,
a group exhibition curated by Nesli Gül, on view from 17 January to 1 March 2026.
Bringing together works by Gamze Öztürk, Anouk Kruithof, Lana Mesić, and Mesut Öztürk, the exhibition explores the fluid relationship between self and environment through questions of identity, memory, and interconnectedness within an ever-evolving urban and cultural landscape.
Inspired by Virginia Woolf’s experimental modernist novel The Waves, the exhibition reinterprets Woolf’s poetic, cyclical structure into a visual and spatial dialogue. Rather than presenting identity as a fixed or autonomous condition, the exhibition The Waves approaches it as relational, performative, and continuously shaped by memory, heritage, ecology, and social context. Across performance, video, installation, and sculpture, the exhibition invites audiences to reflect on how personal and collective identities are formed through lived experience and material relations.
In The Waves, memory is treated not merely as individual recollection but as a cultural and material process, embedded in gestures, rituals, textiles, objects and landscapes. The exhibition foregrounds interconnectedness as both a human and more-than-human condition, asking how bodies, environments, technologies, and histories mutually shape one another.
In a time marked by social fragmentation, ecological anxiety, and the search for belonging,
The Waves offers a timely meditation on transformation, care and coexistence.

Public Programme

In the week of  we are closed  19- 21 februari 2026

 ~ Curator-led tours
30 January, Friday at 18.00
14 February, Saturday at 14:00

~ Artists’ Talk:
6 February, Friday at 18.00

~ Workshop:
14 February, Saturday at 15:00

~ Finissage & closing performance:
1 March  (14.00-17.00)
Live performance: Hands on Hips by Gamze Öztürk at 16.00

*Dates and details subject to change.
This project is realised with the generous support of our partners and funders. CBK Rotterdam, Erasmus Stichting , Pegasus and Gemeente Rotterdam

Approche ~ 12 tm 16 November

Salon Approche 9th edition shows the returning of the haystack to France. Driven by the return to its place of birth, the original haystack image has mutated into shapes that reference the collective memory of French ‘monuments’.…

PAN ~ 2 tm 9 November

The fair’s 38th edition – with works by a variety of artists from the gallery
Paco Dalmau – Saidou Dicko -Sandra Kantanen – Anni Mertens – Margriet Smulders – Sodalime

Art Island ~ 6 tm 8 June

The fair’s 4th edition – with work by E.Gostelie
“Mutations, Monuments and Myths” addresses the human tendency to accumulate chaotic,
random elements and turn them into structures of power and worship.

40 years an artist

Margriet Smulders —

40 years an Artist

   Solo show

on view – 18 July 2025

a selection of  PRESS
Focus Magazine – 40 jaar kunstenaar – 27 juni 2025
The Guardian – Its a knock out–  14 may 2025
The Wick Culture –  16 May 2025
  • 1999 – 2003 – Sirens & Leda – The early beginnings of her career and floral still lives

  • 2005 – 2009 – Get Drunk & Amor Omnia Vincit & Bloody Hell  A deeply personal period surrounding her open-heart surgery

  • 2010 – 2013 – Come to me & This gives life to me The time of her mother’s passing and the transition to digital photography

  • 2014 – 2016 – It shines it whispers & when the hurly-burly’s done – Her inspiring move and journey to Indonesia

  • 2017 – 2020 – Life size nature – The start of her work with biological flowers and use of more different flowers

  • 2020 – 2024 – Rococo & Secret Garden – A celebration of life and 25 years as a still life photographer

The central subject in Smulders’ photos are flowers. Margriet, who is named after a flower herself, has been fascinated by flowers and plants since childhood. These are always present in her art; sometimes incorporated as an element in a performance or space, sometimes – as in the works exhibited here – in all their glory. For the artist, flowers symbolize the course of life and the beauty of existence.

The flowers in Smulders’ work have another meaning. She makes her photos and series from a strong feminist perspective. From the Family / Maternité series from the period 1987-1995 to the photo series Uit de cocoon (1999) made in India for ICCO and WORK (1998) commissioned by Randstad, reflection on the position of women is central. This perspective is also present in her recent work. Initially, Smulders depicted abstracted feminine forms in her photographic flower still lifes with the flowers themselves. Over the years, this reference has become less direct and femininity lies mainly in the beauty, sensuality and fragility of the flower.

Smulders’ work can also be placed within a long tradition that uses flowers as a subject. In the seventeenth century, a period from which Smulders draws a lot of inspiration, the flower still life flourished as a popular theme in painting. Examples include the beautiful flower still lifes by Rachel Ruysch (1664–1750) and